Today’s Words of Wisdom are Practice sight reading. Sight reading is a very difficult skill to master: it’s something many people are nervous about and failures at sight reading seem to be particularly humiliating. It’s a very important skill for actors, as at auditions you often have to read (even if rarely to sight read, because you normally have an opportunity for preparation.) It’s a normal human reaction to avoid things that are difficult, but you should always face danger (those are words of wisdom of their own) and because sight reading is important and difficult you should practice it continually.
It is remarkable that we can do it at all. Think what happens in your brain when you turn the image of some black squiggles on paper into spoken words with meaning and context, subtlety and humour, all in a fraction of a second. So practice.
Choose all different kinds of material: scripts, novels, newspapers, magazines, children’s stories if there are children you can read to. Find things that you are interested in and enjoy. Slow down: the most common mistake is to go too fast. Visualise anything that leads to or describes an image and place that image in your field of view: this will make your delivery more vivid. Engage your emotions, feel inside whatever the material leads you to feel: your emotional involvement will transmit to the audience, but it needs to come from the inside, if it’s just put on the outside like a cosmetic it will appear false. If you are reading a script or a novel or a story read all the parts with a different voice for each one and, probably, a more neutral delivery for the narrator or stage directions. Experiment and adjust stresses and inflexions.
Gradually your enjoyment will grow and your reading will improve. Practice sight reading.
Showing posts with label practice. Show all posts
Showing posts with label practice. Show all posts
Tuesday, 4 November 2008
Tuesday, 12 June 2007
Practice!
There’s an old story that leads to our Word of Wisdom for this week. An out-of-town lady is visiting New York City. Lost, she goes up to a cop on Sixth Avenue and asks him “Can you tell me how to get to Carnegie Hall?” The representative of New York’s finest gives her a long look. “Practice, lady: practice” he replies.
There are different versions of this story: sometimes the cop is replaced by the pianist Arthur Rubinstein, but, whoever said it, they were speaking nothing but the truth, and that’s why our Word of Wisdom this week is … Practice.
Now the principle of how practice leads to improvement is a very simple one. If you put your body under stress, of any kind, it adapts to better cope with that stress. Provided you don’t over-stress yourself, which will lead to injury, you will get better at whatever you are trying to do.
In physical activities, like sport, if you run further and faster, you will improve. After a few weeks, the stopwatch, which never lies, will tell you that you are running faster than you could before. In a technical sport, like Golf, if you practice your swing, after a while you will be able to drive the ball further.
The same applies in mental activities. We have all had the experience of doing simple sums and gradually getting better and being able to do harder sums. Or we’ve learned to play Chess, or do Sudoku. We weren’t born knowing how to do these things: it was all down to practice.
And the same is true in the arts. We practice scales and arpeggios and go over and over a piece till we can get our fingers round the notes. There is a theory that the main reason Mozart became such a great composer was that he had practiced for hours every day from the age of two.
So why do so many actors, at least in the UK, fail to keep themselves in training like athletes, or puzzlers, or musicians? Maybe it’s because acting technique is more diffuse and less easy to define than in the other examples and the results are less easy to measure. But it’s true that a lot of actors in this country do not practice their craft as they should. They’re the competition and you can do better than them.
And that’s one of the reasons why we have our class. So that you can keep in practice, find it easy to slip into a character, learn a scene, take direction and build your confidence. Practice to overcome weaknesses and master the things you find most difficult.
So if you want to get to your own Carnegie Hall – in fact if you want to get anywhere in life – Practice!
There are different versions of this story: sometimes the cop is replaced by the pianist Arthur Rubinstein, but, whoever said it, they were speaking nothing but the truth, and that’s why our Word of Wisdom this week is … Practice.
Now the principle of how practice leads to improvement is a very simple one. If you put your body under stress, of any kind, it adapts to better cope with that stress. Provided you don’t over-stress yourself, which will lead to injury, you will get better at whatever you are trying to do.
In physical activities, like sport, if you run further and faster, you will improve. After a few weeks, the stopwatch, which never lies, will tell you that you are running faster than you could before. In a technical sport, like Golf, if you practice your swing, after a while you will be able to drive the ball further.
The same applies in mental activities. We have all had the experience of doing simple sums and gradually getting better and being able to do harder sums. Or we’ve learned to play Chess, or do Sudoku. We weren’t born knowing how to do these things: it was all down to practice.
And the same is true in the arts. We practice scales and arpeggios and go over and over a piece till we can get our fingers round the notes. There is a theory that the main reason Mozart became such a great composer was that he had practiced for hours every day from the age of two.
So why do so many actors, at least in the UK, fail to keep themselves in training like athletes, or puzzlers, or musicians? Maybe it’s because acting technique is more diffuse and less easy to define than in the other examples and the results are less easy to measure. But it’s true that a lot of actors in this country do not practice their craft as they should. They’re the competition and you can do better than them.
And that’s one of the reasons why we have our class. So that you can keep in practice, find it easy to slip into a character, learn a scene, take direction and build your confidence. Practice to overcome weaknesses and master the things you find most difficult.
So if you want to get to your own Carnegie Hall – in fact if you want to get anywhere in life – Practice!
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