Favour the audience with your face

And this week’s Words of Wisdom are Favour the audience with your face. Whether you are performing in theatre, film or television, your body language and, most importantly, your facial language express at least as much as the words you are saying. In fact this is true in non-visual media as well – radio, voice-overs, recording a song – you should use body language in all of these, because after all, you can hear a smile on the telephone, can’t you – but that is by the way.

So if your facial expressions are very important and the audience want to read your face, because that’s the part of you they look at the most, then you must make sure they can see it as well as possible.

Cheat the angles so that your eyeline is closer to the camera or the audience than it would be purely geometrically. In close up you will normally be directed to hold a certain position but don’t always assume this is going to be done for you.

Know whether you are left- or right-faced. You can check this by looking in a mirror or at a photograph and drawing imaginary lines across your lips and through your eyes. If this opens out on the left side of your face then you are left-faced and you will tend to shoot better from the left.

NEVER put your hands to your face or to your hair unless there is a compelling reason in the script to do so.

Study your facial expressions in a mirror as you say a line to yourself with different inflections. Notice how subtle facial language can be and now false it looks if it is overplayed and doesn’t come from the inside.

Be prepared, both for the stage and the screen, to be directed into unnatural positions relative to other actors. Invariably, one of the reasons for this is so that your facial expressions will be more evident to the audience. For example, you might be at the other character’s shoulder and looking in a parallel direction to them. That may feel very strange but it will look good. Favour the audience with your face.