Monday 2 January 2012

Words, words, words

The break for Christmas and New Year has given me the opportunity to compile no fewer than five new sets of Words of Wisdom.

First Words. Television drama seems to be in retreat in the face of reality TV, so what does that tell us about the medium of TV? All drama depends upon illusion, but what kind of illusion? On stage (and radio) the illusion is that what is produced in our imagination, prompted by what we are being shown, or, told, is real, wherever it may be in space and time. We want to believe in it and, provided that it is done well enough, we do believe in it. On film, the illusion is that we are experiencing a wonderful dream. On television the illusion is that we are looking through a window at a real world neighbouring our own. It is on the same scale as our world and, however unlikely the events portrayed may be, we believe that they could be happening to us, or people like us. Hence the success of reality TV and, whether we like it or not, that is the reason why successful television drama approximates more and more to reality TV. It may not be real 'reality' but, if you are working for television, try not to get too far away from it.

Second Words. Which side of stage or screen is dominant? Answer: the left side, seen from the audience's point of view - 'audience left' is known, confusingly, as 'stage right.' There are a number of possible reasons why winners progress from left to right, or turn to their left, as we see in comics and cartoons. Most languages are read from left to right; in the northern hemisphere the sun, moon and stars appear to move across the sky from left to right; running tracks are left-handed; so are most racecourses, except where the lie of the land tells against it. But perhaps the reason is that most of us are right-handed. Our right leg is stronger than our left, therefore when heading forwards we tend to veer to the left, so the observation that positive movement goes from left to right may become embedded early in our lives. Watch children running round a playground and see if it's true. Bear it in mind when blocking a scene or composing a shot: left is dominant over right.

Third Words. It's only necessary to do things once. If you use a gesture, a turn of speech or a way of handling a prop, what is sometimes called a piece of business, do it once and, because the audience's attention is focussed on you, you will have established it in their minds. In drama, one can represent many. If you use the same business more than once there is a danger that it will be distracting, or that it will appear self-indulgent or attention seeking. Of course, there are exceptions to most rules and sometimes a repeated item can become a motif that gives a particular signal, or repetition may produce an increasingly comic effect but, nevertheless, unless there's a very good reason for repetition, it's only necessary to do things once.

Fourth Words. If you make a mistake, keep calm and continue. Just go on. Half the audience won't even know. Most of the rest won't mind. Don't in any way draw attention to the fault. If you 'dry' or get in a tangle, the other actors, if they are professional, will help get you out of trouble. Improvise the next bit till you get back on track. And this applies in rehearsal as well as performance, so you practice the correct way of dealing with mistakes. Some actors, in rehearsal, will turn a mistake into a gag: not a good idea. Just go on till the director stops you.

Fifth Words. Be still. The strongest and most watchable thing you can do on stage is to be in a central position, not moving a muscle. If you are supporting in a scene the least obtrusive thing you can do is to be tucked away at the side, not moving a muscle. No fidgets. Be still.

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